Description
Field of Lace doesn’t turn botanical wall art into decoration—it shows openness as structure, letting Queen Anne’s lace stretch into space without asking permission.
Three panels divide a meadow’s breath into parts: the left gathers umbels near the foreground, the center lifts tall stems that rise like quiet lanterns, and the right lets clusters drift outward so the field feels uncontained. Sage, straw, and cream hold steady while watercolor-soft edges keep the forms weightless, as if air were part of the composition.
This set is for people who prefer spaciousness to spectacle—those who understand that openness isn’t empty but available. It belongs in wide transitional spaces for people who read movement as invitation. It holds in workspaces for those who see clarity as something grown, not forced. It settles in shared living areas for people who treat calm as a collective agreement.
Some florals decorate. This one clears room for thought.
